In lieu of an abstract, here is a brief excerpt of the content:Author, AuthorBernard KnoxThe title of this essay is not a reference to that enthusiastic but misguided shout from his friends in the audience at the St. James Theatre in 1895 that brought a reluctant Henry James to the stage at the end of his play Guy Domville, only to be greeted by whistles, shouts, and insults from the irate denizens of the gallery, one of whom had somewhat (...) spoiled the dramatic effect of the actor’s climactic line—“I am the last of the Domvilles”—by shouting: “And a bloody good thing y’are!” My title is the rubric of an infuriating competition that appears every week in the pages of the London Times Literary Supplement; it offers three quotations, all dealing more or less with the same subject, and defies the reader to identify the authors. Since the fiends who concoct these puzzles have carefully avoided passages likely to turn up in anthologies, having, in fact, ransacked their authors’ lesser-known works for texts innocent of such clues as proper names, dates, or allusions to historical events, the reader unwise enough to take a hand in the game has to rely on indications of the personality of the author.Not, obviously, the historical, biographical personality, but the literary personality: the characteristic attitudes and concerns, the rhythms, tones, and levels of discourse, the literary individuality that enables us to distinguish a paragraph of Jane Austen from one of Henry James, and either of them from one of Ernest Hemingway, or the epic blank verse of Milton from that of Keats or Tennyson. This literary identity is now the target of academic assaults from many quarters, of which I propose to single out two in particular—the Roland Barthes-Derrida denial of authors’ identity or even of their existence, and the New [End Page 76] Historicism, which confines that identity to the stringent limitations of the author’s time and place.The first aberration treats the author’s work as a “text,” material for the discovery of intertextuality, subtext, and—a word that I have not seen in print but that, if not yet born, is surely close to delivery from the womb of the goddess Terminologia—metatext, which, on the analogy of “metatheater,” would denote a text discussing its own textuality. In the deconstruction of the text the author disappears; Barthes in fact proclaimed the “death of the author.” But though such theories are usually thought of as French products of the Sixties and Seventies, their origins can be discerned in much earlier work done by Americans in the Forties, the years that saw the birth of that New Criticism which Norman Fruman recalls in his short history of our association, reasserting its basic principle: that “there should be a primary focus on literature as literature and not as something else.” I am myself a child—an aging child—of the New Criticism; the first article I ever published had a title that sounds like a parody of the typical New Critical title—“The Serpent and the Flame.” The editors of the American Journal of Philology, who reluctantly accepted the article after several unsuccessful attempts to get me to tone it down, felt constrained to add to the title: “Patterns of Imagery in the Second Book of the Aeneid.”But there was one aspect of the New Criticism that disturbed me: the influential idea, expounded by a formidable member of the Yale English department, William Wimsatt, called the Intentional Fallacy, which proclaimed that “the design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art.” Though this pronouncement was hedged about with many limitations and provisos it still seemed to me to give rein to freewheeling interpretations that eased the acceptance of the radical hijacking of the author’s work by Derrida, Barthes, Lacan, and hoc genus omne.I was especially disturbed by this doctrine because, as a classical scholar, I had been very much concerned, as is every member of our discipline, with authorial intention at the basic level—the often vexed question not of what impression the author sought to make on the... (shrink)

This treatise is divided int9 four chapters with footnotes appearing at the end of each chapter. Following the conclusion there are three appendices which clarify a few points introduced in the text but not treated there. Some changes have been made to secondary material. On occasion when quoting Kaufmann's Hegel: Texts and Commentary, the translation of Begriff as "Concept" is changed to "Notion". This was done only to preserve the flow of presentation. The majority of translations have Begriff as "Notion". (...) When these others are placed side by side with Kaufmann's or Knox's translations where Begriff is "Concept", the result is so times distracting. In addition, all titles to Hegel's sciences have been abbreviated. Thus, instead of referring to The Lectures on the History of Philosophy each time it is mentioned, an abbreviated name is given -- History of Philosophy. Instead of The Lectures on the Philosophy of Religion, we have placed Philosophy of Religion in the text. Again the readability of the treatise was the main concern. The objective of this study is to expound on Hegel's concept of science, to list its general features, and to provide a perspective with which one should be able to approach each of Hegel 's sciences individually and observe the concept at work. In the first chapter we have provided an outlined analysis of the concept and in the last chapter have carried this concept through each of five different sciences -- The Philosophy of Right, The Philosophy of History, The Philosophy of Art, The Philosophy of Religion, and The History of Philosophy. In the second chapter we have examined the universal-particular-individual progression that characterizes the dialectical method. In the third chapter we have considered the internal relations that serve to guarantee the scientific stature of the universal-to-individual progression. (shrink)

Few scholars can claim to have done as much to advance the study of Hegel in the English-speaking world as the indefatigable Sir Malcolm Knox, Professor Emeritus of the University of St. Andrews, Scotland.

The publication of John Knox's First Blast of the Trumpet in 1558 had engendered a radical debate about the public role of women and the nature of female authority and obedience. Howard was not the only author who attempted to refute Knox's tract. The Marian exile and future Bishop of London, John Aylmer, the Catholic Bishop of Ross, John Leslie, and the Catholic, Scottish lawyer, David Chambers, all published books disproving Knox's allegations about women's unfitness for rule. (...) Richard Bertie, husband of Catherine, Duchess of Suffolk, also prepared a manuscript refutation which was never published. The published works are moderately well known, and have been discussed elsewhere. This article concentrates on Howard's unpublished contribution to the Knox debate. The tract is important because of its length and detail, its conclusions regarding the potential role of aristocratic women, and because of Howard's personal reputation and aristocratic connections. The �Defense� was both eloquent and persuasive, analysing women's legal, historical and theological status within early modern society. Howard presented alternative interpretations of female stereotypes found in sermons and polemical writings. His commentaries on Genesis, Athalia, Jezebel and Deborah show how traditional biblical stories could be interpreted in radically differing ways, with profound implications for contemporary women. Because of the length of Howard's tract, this article can present only a summary of his main conclusions. His interpretation of the first three chapters of Genesis will be presented in rather more detail as an indication of the complexity of the early modern debate about women, and the dangers of trying to attach simplistic labels to individual attitudes. (shrink)

John Henry Newman has rightly been hailed as a giant in the Catholic intellectual tradition. His contributions to theology, literature, and education have been studied at length; however, his contribution to philosophy has not received appropriate attention. This essay 1) explores Newman’s unique philosophical insights in terms of the phenomenological tradition of Edmund Husserl; 2) analyzes the transcendental approach of certain British scientists—notably Ronald Knox and Charles Darwin; and 3) discusses how Newman might be considered a phenomenologist.

Henry Allison is one of the foremost interpreters of the philosophy of Kant. This new volume collects all his recent essays on Kant's theoretical and practical philosophy. All the essays postdate Allison's two major books on Kant, and together they constitute an attempt to respond to critics and to clarify, develop and apply some of the central theses of those books. Two are published here for the first time. Special features of the collection are: a detailed defence of the (...) author's interpretation of transcendental idealism; a consideration of the Transcendental Deduction and some other recent interpretations thereof; further elaborations of the tensions between various aspects of Kant's conception of freedom and of the complex role of this conception within Kant's moral philosophy. (shrink)

_Epistemology and Inference _ was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Henry Kyburg has developed an original and important perspective on probabilistic and statistical inference. Unlike much contemporary writing by philosophers on these topics, Kyburg's work is informed by issues that have arisen in statistical theory and practice as well as issues familiar to professional philosophers. In (...) two major books and many articles, Kyberg has elaborated his technical proposals and explained their ramifications for epistemology, decision-making, and scientific inquiry. In this collection of published and unpublished essays, Kyburg presents his novel ideas and their applications in a manner that makes them accessible to philosophers and provides specialists in probability and induction with a concise exposition of his system. (shrink)

An EXACT reproduction from the original book BODY AND WILL: BEING AN ESSAY CONCERNING WILL IN ITS METAPHYSICAL, PHYSIOLOGICAL and PATHOLOGICAL ASPECTS by Henry Maudsley first published in 1884. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print (...) as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. (shrink)

THE Concluding Unscientific Postscript is generally regarded as the most philosophically significant of Kierkegaard's works. In terms of a subjectivistic orientation it seems to present both an elaborate critique of the pretensions of the Hegelian philosophy and an existential analysis which points to the Christian faith as the only solution to the "human predicament." Furthermore, on the basis of such a straightforward reading of the text, Kierkegaard has been both vilified as an irrationalist and praised as a profound existential thinker (...) who has uncovered the only legitimate starting point for a philosophical analysis of the religious life and a Christian apologetic. (shrink)

Scholars hold that Xenophanes was a wandering rhapsode or a perpetually itinerant performer. This consensus depends on the combination of a misunderstanding of one testimonium (D.L. 9.18 = A1), a misapprehension of another testimonium as a fragment (B45), and a questionable interpretation of one genuine fragment (B8), which probably describes not Xenophanes' bodily travels but rather the travels of his disembodied thought through the panhellenic circulation of his poetry. Rather than being some sort of special itinerant figure, this essay argues, (...) Xenophanes was a settled elite and a celebrated poet during his own lifetime whose movements reflected his participation in normal networks of xenia and patronage. (shrink)

This brief, but tightly argued, work advances a dual thesis: Kant’s compatibilist solution to the free will problem is best understood in terms of Davidson’s anomalous monism; so understood, it constitutes a viable position, defensible in contemporary terms. The text consists of a short introduction followed by four substantive chapters dealing, respectively, with: Kant’s theory of compatibilism ; Kant and contemporary metaphysics ; Kant’s theory of causal determinism ; and Kant’s theory of free will. Because of the range of topics (...) covered and the thoroughness of its argumentation, this book should be of interest not only to Kantians, but to philosophers concerned with the more general issues regarding compatibilism. (shrink)

The Oxford or Tractarian Movement and later Ritualists and Anglo-Catholics schooled numerous converts in elements of the Catholic faith. Foremost among them was John Henry Cardinal Newman, one of the original founders of the Oxford Movement. Converts numbered in the hundreds and included another cardinal, Henry Edward Manning, the second Archbishop of Westminster, the religious foundress Cornelia Connelly, the priest novelist Robert Hugh Benson and later literary figures such as G.K. Chesterton, Evelyn Waugh and Mgr Ronald Knox. (...) American historian, Patrick Allitt, has argued that on both sides of the Atlantic converts dominated Catholic intellectual life between 1840 and 1960. While such 'Tractarian' converts have indeed greatly influenced Catholic life, many 'Tractarians' who never converted have also had a considerable impact on English-speaking Catholicism. C.S. Lewis is an obvious example. But there have been others, including author Charles Williams, poet T.S. Eliot and theologians John Macquarrie and Michael Ramsey. The author Dorothy L. Sayers also deserves to be counted among their number. (shrink)

Although only one aspect of Gotthold Ephraim Lessing's diverse oeuvre, his religious thought had a significant influence on thinkers such as Kant, Hegel, Kierkegaard, and present-day liberal Protestant theologians. His thought is particularly difficult to assess, however, because it is found largely in a series of essays, reviews, critical studies, polemical writings, and commentary on theological texts. Beyond these, his correspondence, and a few fragmentary essays unpublished during his lifetime, we have his famous drama of religious toleration, Nathan the Wise, (...) and his philosophical-historical sketch, The Education of the Human Race. In these scattered texts, Lessing challenged the full range of theological views in the Enlightenment, from Protestant orthodoxy, with its belief in Biblical inerrancy, to a radical naturalism, which rejected both the concept of a divine revelation and the historically based claims of Christianity to be one, as well as virtually everything in between. Since he refused to identify himself with any of these parties, Lessing was an enigmatic figure, and a central question from his time to today is where he stood on the issue of the truth of the Christian religion. Now back in print, and with the addition of two supplementary essays, Henry E. Allison's book argues that, despite appearances, Lessing was not merely an eclectic thinker or intellectual provocateur, but a serious philosopher of religion, who combined a basically Spinozistic conception of God with a sophisticated pluralistic conception of religious truth inspired by Leibniz. (shrink)

Henry Brooks Adams (February 16, 1838 - March 27, 1918) was an American historian and member of the Adams political family, being descended from two U.S. Presidents.As a young Harvard graduate, he was secretary to his father, Charles Francis Adams, Abraham Lincoln's ambassador in London, a posting that had much influence on the younger man, both through experience of wartime diplomacy and absorption in English culture, especially the works of John Stuart Mill. After the American Civil War, he became (...) a noted political journalist who entertained America's foremost intellectuals at his homes in Washington and Boston.In his lifetime, he was best known for his History of the United States During the Administrations of Thomas Jefferson and James Madison, a 9-volume work, praised for its literary style.His posthumously published memoirs, The Education of Henry Adams, won the Pulitzer Prize and went on to be named by the Modern Library as the top English-language nonfiction book of the 20th century.A LETTER TO AMERICAN TEACHERS OF HISTORY. It proposes a "theory of history" based on the second law of thermodynamics and the principle of entropy, which essentially states that all energy dissipates, order becomes disorder, and the earth will eventually become uninhabitable. He applied the physics of dynamical systems of Rudolf Clausius, Hermann von Helmholtz, and William Thomson to the modeling of human history. (shrink)

Marx's work is dual, and includes both a philosophical and an economic aspect. The philosophical work was developed with great speed between 1842 and 1846 in a series of extraordinary texts, notably the Critique of the Hegelian State, the third manuscript of 1844, and The German Ideology (1845–6). It is a philosophy unlike anything that had gone before it and is without equal. It was destined to shake the foundations of Western thought. Such is its originality, in fact, that it (...) remains misunderstood even today. (shrink)

In this article, I focus on Nietzsche’s critique of genius in Human, all too human (1878) and on the redetermination of his approach to artistic phenomena in Mixed opinions and maxims (1879) in order to highlight the unique perspective Nietzsche develops in these texts on the relationship between work and author. By criticizing the excessive place given to the artist in the «superstition of genius», and then by formulating a conception of art on the basis of the rejection of the (...) primacy of works of art, Nietzsche avoids breaking the bond tying the author to his work in order to make the bond itself the object of his reflection, in a view of art as transfiguration applied to one’s own existence. In this study I propose a new reading of his critique of genius, which places it within the continuity of his reflection on art and which highlights the transformations undergone by the two functions, cognitive and palliative, that Nietzsche first attributes to art and genius in keeping with Schopenhauer and Wagner. (shrink)

Norbert Wiener and J.B.S. Haldane suggested during the early thirties that the profound changes in our conception of matter entailed by quantum theory opens the way for our thoughts, and other experiential or mind-like qualities, to play a role in nature that is causally interactive and effective, rather than purely epiphenomenal, as required by classical mechanics. The mathematical basis of this suggestion is described here, and it is then shown how, by giving mind this efficacious role in natural process, the (...) classical character of our perceptions of the quantum universe can be seen to be a consequence of evolutionary pressures for the survival of the species. (shrink)

Taking metaphysics in its aristotelian sense to mean the investigation of being qua being, The author contends that its "matrix" (its place of origin, Field of operations, And continuing and ultimate point of reference) is everyday life, Characterized by its practical or existential inescapability. He then examines the charge that the truths of metaphysics illegitimately claim to be both necessary and factual, And argues in response that the objection rests upon a confusion of the character of one's intentional instrument (the (...) sentence or proposition) with that of the object intended. (staff). (shrink)

This book discusses the ways in which science, the touchstone of reliable knowledge in modern society, changed dramatically in the second half of the 20th century, becoming less trustworthy through excessive competitiveness and conflicts of interest.

A Lacanian approach to murder scene investigation. What if Jacques Lacan—the brilliant and eccentric Parisian psychoanalyst—had worked as a police detective, applying his theories to solve crimes? This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes a serious and provocative claim: that apparently impenetrable events of violent death can be more effectively unraveled with Lacan's theory of psychoanalysis than with elaborate, technologically advanced forensic tools. (...) Bond's exposition on murder expands and develops a resolutely Žižekian approach. Seeking out radical and unexpected readings, Bond unpacks his material utilizing Lacan's neurosis-psychosis-perversion grid. Bond places Lacan at the crime scene and builds his argument through a series of archival crime scene photographs from the 1950s—the period when Lacan was developing his influential theories. It is not the horror of the ravished and mutilated corpses that draws his attention; instead, he interrogates seemingly minor details from the everyday, isolating and rephotographing what at first seems insignificant: a single high heeled shoe on a kitchen table, for example, or carefully folded clothes placed over a chair. From these mundane details he carefully builds a robust and comprehensive manual for Lacanian crime investigation that can stand beside the FBI's standard-issue Crime Classification Manual. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Car sickness is a major concern for car passengers, and with the development of autonomous vehicles, increasing numbers of car occupants are likely to be affected. Previous laboratory studies have used EEG measurements to better understand the cerebral changes linked to symptoms. However, the dynamics of motion in labs/simulators differ from those of a real car. This study sought to identify specific cerebral changes associated with the level of car sickness experienced in real driving conditions. Nine healthy volunteers participated as (...) front passengers in a slalom session inducing lateral movements at very low frequency. They were continuously monitored via EEG recordings and subjectively rated their level of symptoms after each slalom, using a 5-point likert scale. Car-sickness symptoms evolved concomitantly with changes in theta and alpha power in the occipital and parietal areas. These changes may reflect altered sensory integration, as well as a possible influence of sleepiness mitigating symptoms. (shrink)